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A century after its premiere, Carl Nielsen's Maskarade remains one of Denmark's little secrets. Not an actual secret, mind you: the opera has had numerous international productions, and the very nationalistic Danes would love for it to have a wider audience. But, largely because it isn't in one of the "big four" operatic languages (Italian, French, German, and Russian), Maskarade has never found its way into the theatrical batting order on a regular basis, and most non-Danes have no idea just how popular the work is in its ...

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