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Scots violinist Nicola Benedetti has achieved phenomenal popularity not only in her native Britain, but increasingly beyond. And she has done so, not by aiming at the large crossover market from the start, but with a series of major concerto releases. She's not on the level of Anne-Sophie Mutter as yet, but she's certainly a significant talent who has earned the right to a crowd-pleaser, and that's what she offers here. She accomplishes her goal in an original way, to boot. The Silver Violin title, and the associated ...

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  1. Schindler's List, film score: Main Theme
  2. Die tote Stadt (The Dead City), opera, Op. 12: Tanzlied des Pierrot
  3. Por una cabeza, tango for voice & chamber orchestra
  4. The Gadfly, suite from the film score, Op. 97a (assembled by Atovmyan): Romance
  5. Violin Concerto in D major, Op. 35: 1. Moderato nobile
  6. Violin Concerto in D major, Op. 35: 2. Romance: Andante
  7. Violin Concerto in D major, Op. 35: 3. Finale: Allegro assai vivace
  8. Ladies in Lavender, film score: Main Theme
  9. Counterplan (The Passer-by), film score, Op. 33: Andante
  10. Jane Eyre, film score: My Edward & I
  11. Eastern Promises, film score: 1. Eastern Promises
  12. Eastern Promises, film score: 2. Tatiana
  13. Piano Quartet in A minor (incomplete): 1. Nicht zu schnell
  14. Pieces (5) for 2 violins & piano (arranged from theater music by Atovmyan): Prelude
  15. Die tote Stadt (The Dead City), opera, Op. 12: Mariettas Lied (Glück, das mir verblieb)
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