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"Rich people, poor people, religious people, artists, musicians, everyone could become a hero at [Sanle's] Volta studio." --Florent Mazzoleni, The New York Times The studio photographs of Sory Sanl??? and his participation in the vibrant music scene in Bobo-Dioulasso give us a picture of a cosmopolitan city shaping its independent identity in the 1960s through to the '80s, the heyday of West African independence movements. Vintage photographs, seven-inch record sleeves and studio accessories are all reproduced in the ...

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