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Soprano Diana Damrau specializes in the German post-Romantics, and this is not even her first Richard Strauss recital. There is, however, little overlap between this and 2011's Poésie, and there's an attractive quality of wrestling with the material to both releases. Damrau is a psychologically penetrating singer whose interpretations stick with even the listener who might have preferred a different direction. One of her vocal trademarks is a sharp, knife's-edge sound in her upper register, and whether that works in the ...

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  1. Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150)
  2. Malven ("Aus Rosen, Phlox Zinienflor"), fragment for voice & piano (TrV 297, AV 304)
  3. Mädchenblumen, songs (4) for voice & piano, Op. 22 (TrV 153)
  4. Die Zeitlose ("Auf frischgemähten Weideplatz"), song for voice & piano, Op. 10/7 (TrV 141/7)
  5. Einerlei ("Ihr Mund ist stets derselbe"), song for voice & piano, Op. 69/3 (TrV 237/3)
  6. Songs (3) for voice & piano (after Shakespeare's "Hamlet;" "Ophelia Lieder"), Op. 67/1-3 (TrV 238/1-3)
  7. Die Verschwiegenen ("Ich habe wohl, es sei hier laut"), song for voice & piano, Op. 10/6 (TrV 141/6)
  8. Du meines Herzens Krönelein, song for voice & piano, Op. 21/2 (TrV 160/2)
  9. Nichts ("Nennen soll ich, sagt ihr"), song for voice & piano, Op. 10/2 (TrV 141/2)
  10. Leises Lied ("In einem stillen Garten"), song for voice & piano, Op. 39/1 (TrV 189/1)
  11. Mein Auge ("Du bist mein Auge!"), song for voice & piano (or orchestra), Op. 37/4 (TrV 187/4)
  12. Die Nacht ("Aus dem Walde tritt die Nacht"), song for voice & piano, Op. 10/3 (TrV 141/3)
  13. Ruhe, meine Seele ("Nicht ein Lüftchen regt sich leise"), song for voice & piano (or orchestra), Op. 27/1 (TrV 170/1)
  14. Lob des Leidens ("O schmäht des Lebens Leiden nicht!"), song for voice & piano, Op. 15/3 (TrV 148/3)
  15. Befreit ("Du wirst nicht weinen"), song for voice & piano (or orchestra), Op. 39/4 (TrV 189/4)
  16. Morgen ("Und morgen wird die Sonne wieder scheinen"), song for voice & piano (or orchestra), Op. 27/4 (TrV 170/4)
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