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The work of Paul Sietsema (born 1968) might be described as a sequence of multimedia suites, each of which begins with a phase of intensive research into historical-political themes, and which results in a body of interrelated sculptures, photographs, drawings, collages and films that propose an "exploded" model of historical progress. In general, these suites, such as Empire (2003) and Figure 3 (2008), have been discussed and exhibited individually. This publication, by contrast, brings together major elements from ...

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