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Latvian violinist Gidon Kremer has proven a near-infallible guide to the neglected music of the former Soviet bloc. In the case of Polish-born Soviet Jewish composer Mieczyslaw Weinberg, the revival was well underway even before Kremer came along, but this beautifully recorded two-disc set makes for a tasty sampler. Weinberg's career roughly paralleled that of Shostakovich, and he suffered the slings of history to an even greater degree than Shostakovich did. The influence went both ways: Shostakovich's embrace of Jewish ...

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