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This recording of what was once among the most popular operas of all was made in 1976. It has been reissued several times since then, in increasingly less sumptuous packaging (the 2016 version includes a cast list, a plot summary keyed to the track division, and little else). Casual observers may wonder what the big deal is. It's true; there are some big names involved. Marilyn Horne as Fidès, the mother of the tenor lead Jean de Leyden, was in fine form. The other top soprano, Renata Scotto, was a trifle less so, but there ...

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