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There is a school of Bill Evans-influenced post-bop pianists who could be called the crystalline players: improvisers who have a very clean, clear, polished style of pianism yet have no problem swinging. Chick Corea and Keith Jarrett fall into that category, as do Eliane Elias, Fred Hersch, Lynne Arriale, and the late Michel Petrucciani. And on Melancolia, Cuban pianist Manuel Valera continues to be well-served by his devotion to this crystalline style. Evans, Corea, Jarrett, and Herbie Hancock are all influences on this ...

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  1. De un Pajaro las Dos Alas
  2. Alibi
  3. Yesterday's Song
  4. Intro to Prelude
  5. Prelude in C# Minor
  6. Hidden
  7. O Melancolia
  8. Peregrinations
  9. While She Sleeps
  10. (Or Not)
  11. Interlude
  12. Astorish
  13. La Otra Mano
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