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Of the two Mahler cycles Leonard Bernstein recorded in his career, the most influential and culturally important was the first, recorded with the New York Philharmonic in the 1960s and early '70s for Columbia, then later reissued by Sony. Even though it has been criticized for several faults, not least of which were Bernstein's willful choices of tempos, phrasing, and dynamics, it has nonetheless been recognized as one of the foundations of the Mahler revival and of true historic value. The second cycle was recorded in the ...

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  1. Symphony No. 1 in D major ("Titan")
  2. Symphony No. 2 in C minor ("Resurrection")
  3. Symphony No. 3 in D minor
  4. Symphony No. 6 in A minor ("Tragic")
  5. Symphony No. 9 in D major
  6. Symphony No. 5 in C sharp minor
  7. Symphony No. 7 in E minor ("Song of the Night")
  8. Symphony No. 4 in G major
  9. Symphony No. 10 in F sharp major (incomplete)
  10. Symphony No. 8 in E flat major ("Symphony of a Thousand")
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