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In a powerful new body of photographs, sculpture and installation, John Waters continues his investigations of film history and contemporary politics. Primarily known as the filmmaker behind such cult classics as "Pink Flamingos, Polyester" and "Pecker," Waters has been making "fine" art since the early 1990s. In it, he tackles both cinematic themes and political events by building narratives, frame by frame, from early commercial films. In this publication, Waters shares the method by which he constructs each work as if he ...

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