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Zimmer's wife, Lil, says their love is dead. He says it's just tired. Divorcing, he feels as if his whole love life is passing before him - and then part of it really is, in the still-sexy person of old flame Rhona Glinsky. In artfully crafted interlocking flashbacks set against a vividly drawn scrim of New York City, Busch lets his hapless hero tell his story of the angst-driven complications of both licit and illicit love. It was Greenwich Village in the Sixties, and Zimmer was writing copy for a sleazy PR agency. Rhona ...

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