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There have been great Sauls -- Charles Mackerras' on Archiv and Peter Neumann on Musikproduktion Dabringhaus und Grimm. There have been acceptable Sauls -- Paul McCreesh's on Archiv and Mogens Wöldike's on Vanguard and Philip Ledger's on Virgin. There have been deeply flawed Sauls -- John Eliot Gardiner's on Philips and Nikolaus Harnoncourt's on Teldec. There have even been downright poor Sauls, but they're not worth mentioning. ThisSaul by René Jacobs with the Concerto Köln and the RIAS-Kammerchor is easily as good as the ...

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