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Solomon, one of Handel's most compelling oratorios, has been well served on disc, and Nicholas McGegan's version on Carus makes a strong addition. The recording was made at a live performance at the Frauenkirche, Dresden, and that circumstance is one of the few drawbacks of the release. The sound is fine for a live performance, but there is some sense of distance between the listener and the performers, much like there would be in, well, a live performance. The sound of the singers and instrumentalists doesn't have quite ...

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