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Most modern performances of Carl Orff's Carmina Burana employ a full-scale symphony orchestra, replete with a large string section that tends to homogenize the overall sound and obscure details of the orchestration. This rendition by Jos van Immerseel and Anima Eterna Brugge offers surprisingly transparent sonorities, produced by emphasizing the winds, pianos, and percussion, reducing the number of strings, and exposing the inventive instrumental combinations that Orff intended to be heard. To further the effort at ...

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