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When does the incandescent become ephemeral? When does the evanescent become artificial? When do the expertly crafted, the gracefully sculpted, and the radiantly beautiful become simply a matter of style and taste? It is impossible to say for certain. For some listeners, Mitsuko Uchida's recordings of Beethoven's piano concertos with Kurt Sanderling conducting either the Royal Concertgebouw Orchestra or the Symphonieorchester des Bayerischen Rundfunks will be the epitome of aesthetic pleasure. For others, her performances ...

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  1. Piano Concerto No. 1 in C major, Op. 15
  2. Piano Concerto No. 2 in B flat major, Op. 19
  3. Piano Concerto No. 3 in C minor, Op. 37
  4. Piano Concerto No. 4 in G major, Op. 58
  5. Piano Concerto No. 5 in E flat major ("Emperor"), Op. 73
  6. Variations (32) on an original theme for piano in C minor, WoO 80
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